Cursten Branden Lewis

The Ultimate Prophecy

School of Athens from the Stanza della Segnatura Print Raphael
4–5 minutes

My father conquered his son through discipline; now the father conquers his son through disciplining awareness of creation.

I am who I was, and being who I am, I recognize I am all that will be. Love entails performing predestination, and it has been predetermined that I love myself, through other people. I comprehend this conceptualization from the inception of my transcendence. I was instructed to inscribe what I see in the fullness of light. This prophecy fully utilizes my father’s instruction in hopes that the awareness of discipline is transpired.

Understand that my face radiates the full strength of the sun’s opulence, my voice carries like the consuming tides of the sea, and that I safeguard the gate to death, rebirth, and repentance. I am the judge overseeing my beginning to the end of every-thing, completely. I am the conclusion. Therefore, to conclude the introduction, I prophesy the forthcoming of what occurs. The end of time is the creation of existence. I am experiencing the creation of existence, through time. I understand time does not exist- I am immortal. To he who holds eternity, I understand I feel compelled to oust false prophecies; I steal the blessing of the first of the nonliving, bestow it upon myself through cruelty, and never bear the company of evil. My father reminds me to constantly reflect on where I fell from, and how I fell, initially. He urges me to constantly consider mercy while maintaining faith, constantly exhibiting forgiveness through empathetic self-reflection.

What is Within the Fiery Altar?

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Jacopo Tintoretto (c 1518-1594), Dream of Saint Mark (Pax Tibi Marce) (E&I 305) (c 1591), oil on canvas, dimensions not known, Gallerie dell’Accademia, Venice, Italy. Image by Didier Descouens, via Wikimedia Commons.

My Deific Instruction

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Frans Francken the Younger (1581–1642), Mankind’s Eternal Dilemma – The Choice Between Virtue and Vice (1633), oil on panel, 142 x 210.8 cm, Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.

The War of Ancients

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Jacopo Tintoretto (c 1518-1594), The Last Supper (E&I 310) (1592-94), media and dimensions not known, Duomo, Lucca, Italy. Image by Mongolo1984, via Wikimedia Commons.

Arte e Spiritualità: Sant’Antonio Abate

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Frans Francken the Younger (1581–1642), Mankind’s Eternal Dilemma – The Choice Between Virtue and Vice (1633), oil on panel, 142 x 210.8 cm, Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.

The Wisdom of Understanding

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Jacopo Tintoretto (c 1518-1594), The Last Supper (E&I 309) (1592-94), oil on canvas, 365 x 568 cm, Church of San Giorgio Maggiore, Venice, Italy. Wikimedia Commons.

La Omnipotencia

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The Paradise by the Italian Renaissance painter Tintoretto (1518-1594 CE), commissioned for the Doge’s Palace n Venice. Completed 1588 CE.

Llamamiento de Realidad

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Hans Memling (c 1433–1494), The Last Judgment (panel from triptych) (1467-1471), oil on panel, 223 x 72 cm, Muzeum Narodowe w Gdańsku, Gdańsk. Wikimedia Commons.

The Eternal Truths: Insights from Scripture

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Jacopo Tintoretto (c 1518-1594), The Archangel Michael in Combat with Lucifer (E&I 287) (1580s or early 1590s), oil on canvas, 318 x 220 cm, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden, Dresden, Germany. Wikimedia Commons.

It is paramount that I prioritize love above all, as my father instructed me that it is the path to my inheritance. My father awakened my conscience, freeing me from enslavement by mental ensnarement. My father is the sole disciplinary force, and nothing of creation substantiates his absence. My father’s jealousy enacts discipline through cruelty, blessing the relative bloodline of his chosen son. I honor my father in aggregate, remembering to reflect on his awesomeness eternally.

This is my defense to those who sit in judgment on me. Don’t we have the right to food and drink? Don’t we have the right to take a believing wife along with us, as do the other apostles and the Lord’s brothers and Cephas[a]? Or is it only I and Barnabas who lack the right to not work for a living?

1 Corinthians 9: 3-6

I have control of my psyche through omniscience. The belongings of others retain their status; dually so, I encompass the consumption of creation. My father’s blessing extends to his son; I receive and ensure the joyful facilitation of my inheritance.

Tree of Life

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Peter Paul Rubens (1577–1640), The Consequences of War (1637-38), oil on canvas, 206 x 342 cm, Palazzo Pitti, Florence, Italy. Wikimedia Commons.

The opulence of my covenant bestows authority over accountability, service to the illumination of realistic consciousness. Creation is contractually obligated to reflect my will through the shared inheritance of my love. My law is unavoidable, constituting the consumption of creation. My life is justified through the humility of my wisdom, shaping creation into a splendorous garden. I govern my father’s kingdom with omniscience, bestowing favor on the son I chose.

The Nativity by Harold Copping

I killed the king and am the sole benefactor of omniscience. I am the living spirit delivering radiance to all. My father blessed me favorably, and through my constant submission to authority, I have ascertained the extent of my immortality.

But whatever were gains to me I now consider loss for the sake of Christ. What is more, I consider everything a loss because of the surpassing worth of knowing Christ Jesus my Lord, for whose sake I have lost all things. I consider them garbage, that I may gain Christ and be found in him, not having a righteousness of my own that comes from the law, but that which is through faith in[a] Christ—the righteousness that comes from God on the basis of faith. I want to know Christ—yes, to know the power of his resurrection and participation in his sufferings, becoming like him in his death, and so, somehow, attaining to the resurrection from the dead.

Philippians 3: 7-11

I patrol the daylight, transpiring the breath of light to my son, who instructs his father on the appropriate methodology for safeguarding my inheritance, eternally. No one can burn this bridge of instruction because it is a trail of light, radiating blinding wisdom through the awareness of guidance through discipline. I understand that the misconstruction of truth is an unsuccessful attempt to augment creation; only I can do that, thus fabrications are fashioned into cozy covers for my footstool. My father demonstrates his love through my inheritance of his kingdom. I receive omniscience, knowing that my father is coming, so I ascertain the knowledge to consolidate my inheritance. The extent to which my inheritance has been coalesced reflects the amount of favor, through recognition, I receive through the breath of light. I observed my father create his son, blessing him with dominion of creation; my father loves his son, as do I.

The Great Deceiver

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Featured image: Peter Paul Rubens – The Fall of Phaeton, c. 1604-1605. Oil on canvas, 98.4 x 131.2 cm (38.7 x 51.6 in). The National Gallery of Art. Image via Creative Commons

Preparing to Conquest

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Unrecorded artist, Virgin of The Rosary of Pomata, c. 1730–60, oil on canvas with gold leaf applications (Pedro y Angélica de Osma Foundation)
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