Cursten Branden Lewis

Leading the Soul into Hell

Bosch, Hieronymus; An Angel Leading a Soul into Hell; Wellcome Library; http://www.artuk.org/artworks/an-angel-leading-a-soul-into-hell-125754

 Before him all the nations are as nothing;
    they are regarded by him as worthless
    and less than nothing.

Isaiah 40:17

What is Within the Fiery Altar?

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Jacopo Tintoretto (c 1518-1594), Dream of Saint Mark (Pax Tibi Marce) (E&I 305) (c 1591), oil on canvas, dimensions not known, Gallerie dell’Accademia, Venice, Italy. Image by Didier Descouens, via Wikimedia Commons.

My Deific Instruction

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Frans Francken the Younger (1581–1642), Mankind’s Eternal Dilemma – The Choice Between Virtue and Vice (1633), oil on panel, 142 x 210.8 cm, Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.

The War of Ancients

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Jacopo Tintoretto (c 1518-1594), The Last Supper (E&I 310) (1592-94), media and dimensions not known, Duomo, Lucca, Italy. Image by Mongolo1984, via Wikimedia Commons.

Arte e Spiritualità: Sant’Antonio Abate

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Frans Francken the Younger (1581–1642), Mankind’s Eternal Dilemma – The Choice Between Virtue and Vice (1633), oil on panel, 142 x 210.8 cm, Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.

The Wisdom of Understanding

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Jacopo Tintoretto (c 1518-1594), The Last Supper (E&I 309) (1592-94), oil on canvas, 365 x 568 cm, Church of San Giorgio Maggiore, Venice, Italy. Wikimedia Commons.

La Omnipotencia

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The Paradise by the Italian Renaissance painter Tintoretto (1518-1594 CE), commissioned for the Doge’s Palace n Venice. Completed 1588 CE.

Llamamiento de Realidad

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Hans Memling (c 1433–1494), The Last Judgment (panel from triptych) (1467-1471), oil on panel, 223 x 72 cm, Muzeum Narodowe w Gdańsku, Gdańsk. Wikimedia Commons.

The Eternal Truths: Insights from Scripture

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Jacopo Tintoretto (c 1518-1594), The Archangel Michael in Combat with Lucifer (E&I 287) (1580s or early 1590s), oil on canvas, 318 x 220 cm, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden, Dresden, Germany. Wikimedia Commons.

So, they shouted louder, and following their normal custom, they cut themselves with blades and swords until the blood gushed out. They raved all afternoon until the time of the evening sacrifice, but still there was no sound, no reply, no response. Then I called to the congregation. Come over here; they all crowded around me as I repaired the altar of the Lord that had been torn down. I took 12 stones, one to represent each of the congregations of creation, and I used the stones to reconstruct the altar in the name of the Lord. Then, I dug a trench around the altar, large enough to hold about 3 gallons. I piled wood on the altar, cut the goat into pieces and laid the pieces on the wood. Then I said, “Fill four large jars with water and pour the water over the offering and the wood.” And they had done this, and I said, “Do the same thing again.” And when they were finished, I said, “Now do it a third time.” So, they did as I said, and the water ran around the altar and even filled the trench.

When you pass through the waters,
    I will be with you;
and when you pass through the rivers,
    they will not sweep over you.
When you walk through the fire,
    you will not be burned;
    the flames will not set you ablaze.

Isaiah 43:2

The Great Deceiver

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Featured image: Peter Paul Rubens – The Fall of Phaeton, c. 1604-1605. Oil on canvas, 98.4 x 131.2 cm (38.7 x 51.6 in). The National Gallery of Art. Image via Creative Commons

Preparing to Conquest

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Unrecorded artist, Virgin of The Rosary of Pomata, c. 1730–60, oil on canvas with gold leaf applications (Pedro y Angélica de Osma Foundation)
Cursten Lewis

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