Cursten Branden Lewis

Resurrection and Life: Key Biblical Teachings

Hell, unknown artist (National Museum of Ancient Art, Lisbon, Portugal)
2–3 minutes

Those who had been scattered preached the word wherever they went. Philip went down to a city in Samaria and proclaimed the Messiah there. When the crowds heard Philip and saw the signs he performed, they all paid close attention to what he said. For with shrieks, impure spirits came out of many, and many who were paralyzed or lame were healed. So there was great joy in that city.

Acts 8: 4-8

As for the disbelievers who have honored every stipulation of their pact with you and have not supported an enemy against you, honor your pact with them until the end of its term. Surely Omniscience loves those who are mindful of Him. The Jews believe that Ezra is the son of God, while the Christians maintain that only the Messiah is the son of God. All are but blameless assertions, only parroting the words of earlier followers. May Omniscience condemn them! How can they be deluded from the truth? They have taken their leaders and ministers as well as the Messiah, son of Mary, as lords besides God, even though they were commanded to worship none but One God. There is no god worthy of praise except I Am. Glorified am I above what they associate with Me.

What is Within the Fiery Altar?

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Jacopo Tintoretto (c 1518-1594), Dream of Saint Mark (Pax Tibi Marce) (E&I 305) (c 1591), oil on canvas, dimensions not known, Gallerie dell’Accademia, Venice, Italy. Image by Didier Descouens, via Wikimedia Commons.

My Deific Instruction

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Frans Francken the Younger (1581–1642), Mankind’s Eternal Dilemma – The Choice Between Virtue and Vice (1633), oil on panel, 142 x 210.8 cm, Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.

The War of Ancients

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Jacopo Tintoretto (c 1518-1594), The Last Supper (E&I 310) (1592-94), media and dimensions not known, Duomo, Lucca, Italy. Image by Mongolo1984, via Wikimedia Commons.

Arte e Spiritualità: Sant’Antonio Abate

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Frans Francken the Younger (1581–1642), Mankind’s Eternal Dilemma – The Choice Between Virtue and Vice (1633), oil on panel, 142 x 210.8 cm, Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.

The Wisdom of Understanding

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Jacopo Tintoretto (c 1518-1594), The Last Supper (E&I 309) (1592-94), oil on canvas, 365 x 568 cm, Church of San Giorgio Maggiore, Venice, Italy. Wikimedia Commons.

La Omnipotencia

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The Paradise by the Italian Renaissance painter Tintoretto (1518-1594 CE), commissioned for the Doge’s Palace n Venice. Completed 1588 CE.

Llamamiento de Realidad

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Hans Memling (c 1433–1494), The Last Judgment (panel from triptych) (1467-1471), oil on panel, 223 x 72 cm, Muzeum Narodowe w Gdańsku, Gdańsk. Wikimedia Commons.

The Eternal Truths: Insights from Scripture

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Jacopo Tintoretto (c 1518-1594), The Archangel Michael in Combat with Lucifer (E&I 287) (1580s or early 1590s), oil on canvas, 318 x 220 cm, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden, Dresden, Germany. Wikimedia Commons.

Had they really intended to march forth, they would have have made preparations for it. But God disliked that they should go, so He let them lag behind, and it was understood by them that One must remain with the helpless who remain behind. Had they gone forth with you believers, they would have been nothing but calamity for you, and would have scrambled around, seeking to spread discord in your midst. And some of you would have eagerly listened to them. And God has perfect knowledge of the wrongdoers. They had already sought to spread discord before and devised every possible plot against you O child, until the truth came and God’s Will prevailed- much to their dismay.

Frans Francken the Younger (1581–1642), Mankind’s Eternal Dilemma – The Choice Between Virtue and Vice (1633), oil on panel, 142 x 210.8 cm, Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.

Jesus said to her, “I am the resurrection and the life. The one who believes in me will live, even though they die;

John 11:25

The Great Deceiver

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Featured image: Peter Paul Rubens – The Fall of Phaeton, c. 1604-1605. Oil on canvas, 98.4 x 131.2 cm (38.7 x 51.6 in). The National Gallery of Art. Image via Creative Commons

Preparing to Conquest

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Unrecorded artist, Virgin of The Rosary of Pomata, c. 1730–60, oil on canvas with gold leaf applications (Pedro y Angélica de Osma Foundation)
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