Jan van Eyck, The Last Judgment (1440–41) Jan van Eyck, ‘The Crucifixion; The Last Judgment’, ca. 1440–1441, Painting, Oil on canvas, transferred from wood, The Metropolitan Museum of Art
Luis de Riaño and Indigenous collaborators, The Paths to Heaven and Hell, c. 1626, San Pedro Apóstol de Andahuaylillas, Peru (photo: courtesy World Monuments Fund)
Jacopo Tintoretto (c 1518-1594), The Entombment (E&I 313) (1592-94), oil on canvas, 288 x 166 cm, Church of San Giorgio Maggiore, Venice, Italy. Wikimedia Commons.
Jacopo Tintoretto (c 1518-1594), Dream of Saint Mark (Pax Tibi Marce) (E&I 305) (c 1591), oil on canvas, dimensions not known, Gallerie dell’Accademia, Venice, Italy. Image by Didier Descouens, via Wikimedia Commons.
Frans Francken the Younger (1581–1642), Mankind’s Eternal Dilemma – The Choice Between Virtue and Vice (1633), oil on panel, 142 x 210.8 cm, Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.
Featured image: Peter Paul Rubens – The Fall of Phaeton, c. 1604-1605. Oil on canvas, 98.4 x 131.2 cm (38.7 x 51.6 in). The National Gallery of Art. Image via Creative Commons
Jacopo Tintoretto (c 1518-1594), The Last Supper (E&I 310) (1592-94), media and dimensions not known, Duomo, Lucca, Italy. Image by Mongolo1984, via Wikimedia Commons.
Bronzino, Agnolo; An Allegory with Venus and Cupid; The National Gallery, London; http://www.artuk.org/artworks/an-allegory-with-venus-and-cupid-114276